Cristina González
Argentine visual artist and psychoanalyst, born in Buenos Aires, where she lives and works.
Artistically trained with Andrea Moccio; Natalia Giachetta; Silvia Brewda; Carla Beretta; Silvia Flichman; Anna Rank; José Rueda; Tomás Yamada; Guillermo Roux; Marcos Cuellar (Mexico). Work clinic with Silvia Brewda, Andrés Waissman, Anna Rank and Martha Zuik.
She exhibited individually and collectively in numerous galleries, museums and national and provincial salons of Argentina, and in Spain, France and Italy galleries.
She won 1st Prize acquisition of the work Sin ver, Serie Refugiados; UDOCBA (2017); first mention Friends of the Arts (2012); and mention of the work Velados (2009). Works selected in 14 rooms.
She has moved from academicism to new conceptions of art and technology.
She is currently exploring lithography and screen printing. Her production is projected into conceptual and object art, with paper being his main material. The current motivation is to express aspects of human existence: space-time.
Instagram: crisgonzalez.art
Spinning in the air (Nature in Action - 04/2025)
Nature returns to nature. To compose and spin an aerial lace with the fruit called luffa.
The sponge is elastic; cutting and spinning generates shapes, wefts, empty, open and closed spaces, edges-overflows; they are united, loose, embroidered in the air.
The intertwined figures draw different motifs, which, together with the transparencies and movement, play an aerial dance.
The spaces that occur in the plots emulate a reservoir of seeds and pollen.
The wind will do its thing.
In the words of Octavio Paz:
"Nothing is me,
body that floats, light, waves;
everything is of the wind
and the wind is always air of travel."
A dream: an aerial hotbed where birds and bees can find seeds or pollen, where carrying or bringing is a way of being inside nature in action.
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