Ana Lía Werthein

Lives and works in Buenos Aires.

Licensed Psychologist, Psychoanalyst, and Graduate in Combined Arts from the University of Buenos Aires.

Former Full Professor at the University of Buenos Aires.

Studied painting with Demetrio Urruchúa, Miguel Dávila, Luis Felipe Noé, Viviana Zargón, and Leila Tschop; drawing with Eduardo Stupía and Carla Rey.

Books

“Más acá del Horizonte”, 2008, presentation at the Malba Museum, Buenos Aires, Argentina.

“Hacia una poética de la producción”, 2016, presentation at the National Museum of Fine Arts, Buenos Aires, Argentina.

“El arte, la escritura, el campo y los psicoanalistas”, 2020, virtual Zoom presentation by the Freudian School of Buenos Aires / Cultural Center, Buenos Aires, Argentina.

2026

Circle Pro Art. The Way. The Eye That Captures Project.

Centro de Edición Gallery, Resplandecer, Homage to Augusto Ferrari.

2025

First Prize, National Salon (SNAV). Graphic Arts Category.

Dain Usina Cultural, Buenos Aires, Argentina. Solo Exhibition.

2024

Anudasueños, paintings, Marifé Marco Gallery. Barcelona, ​​Spain.

The Trapped Eye. Account of a hospital experience (The Way - 03/2026)


In the context of living through a complex health experience, I found myself compelled to break down that “not easy” process into a series of watercolors, in which the process of the experience itself was unfolded step by step. The unexpected encounter with the beauty of a tree discovered through the room’s window subverted that difficult experience into unforgettable moments of small joys that accompanied this challenging stage, transforming it into something gentler.

Those watercolors were later, during the preliminary project and as a final presentation, transformed into a video narrative accompanied by brief texts. This entire experience, like the hospital room, had a visual tone that was restrained and minimalist.

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W Migrant (Traces - 04/2021)


The starting point of this work was to take into account the proposal of Andrea Juan and Gabriel Penedo to put down any other project that we had had up to now. Start from scratch, trying to connect with a true feeling, without rationalizing or theorizing. Simply working with stripped emotion led me to my own origins as the granddaughter of immigrants.

This is how Leon and Ana appeared in my memory, young people under 30 who ventured in search of a new possible destination for themselves and their offspring. I started from the memoirs written by Fanny, Israel and Noel, their children, to reconnect with history. I also carried out a series of investigations that the web and the google map provided me to locate the city of Bender and the fields of the old Bessarabia, that they impacted me so much and that I traveled imaginatively moving there.

 Finally, four objects became relevant, which chance brought to my hands.

Two lighters that belonged to my grandfather Leon and two Shabbat glasses that they say were brought by Ana. Those objects were very inspiring. They were duplicated in photos, tracing drawings, inks and watercolors and took the place of "themselves". The lighter; the flame, the strength and the courage always represent Leon and the cup, the cavity and the feminine to Ana.

Conceptually ordered all the information, supporting it on two axes; TRAVERSEAS of places, of continents, the continuous wandering through Europe and different territories of Argentina and the ACCUMULATIONS of suitcases, burlap bags, cereals, clean or washed clothes, pots ...

Finally, I included an epistolary between León and Ana with the letters that might have been written.

All that research was transformed into a project, prototype or test in the form of an artist's book that was transformed into a video / artist's test, which will surely lead to other versions of this fertile and moving starting point.

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