Ana Lia Werthein

Ana Lía Werthein

Degree in psychology. Bachelor of Arts, UBA. Former UBA Professor. She attended the workshops of Demetrio Urruchúa, Miguel Dávila, Luis Felipe Noé, Eduardo Stupía, Viviana Zargón, Carla Rey, Leila Tschopp. Individual exhibitions: Dain Usina Cultural, “The Freudian field” 2021. Art Space AMIA 2018. Silobolsa installation in MNBA 2016. Intervened silobolsa installation La Rural 2017. MNBA Neuquén 2013. Recoleta Cultural Center 1998 2000, “Towards a poetics of production ”2012 Espacio Cronopios, CCR. Argentine Consulate in NY 1999., Cultural Center Santa Cruz 2007, Museum of Contemporary Art RLozza 2009, Alberti. MAC Bahía Blanca 2010. RO ART 2004. Centro Cultural Borges 2004. Atica, “Al campo” 2003. Casa Argentina en Israel 1997, 98, 99. Collective Shows: MAR Museum, Abracadabra, 2018, SALA OWN MNBA Neuquén female artists, permanent collection, 2018 / 2019.Since 2000/20 she participated in arteBA and BA photo. . 2007, Florence Biennial 1999, Holland 2002, Germany 2004, Panama 2005, Colombia 2004 to the present, Chile 1997-2000, Uruguay 2001-2009), Asia, Shanghai 2009, Mexico, MACAY MAC, 2013. ARCO Madrid 2017 2018 2019, ARCO Lisboa 2019. MoMA art fair NY, 2019 Graphic Instants Brazil, Peru, Chile, Spain, Colombia Books, Rodrigo Alonso editor .More here from the horizon 2008 Malba Towards a poetics of the 2016 MMBA production .The Writing, Art, Field and Psychoanalysts 2020.

W Migrant (Traces - 04/2021)


The starting point of this work was to take into account the proposal of Andrea Juan and Gabriel Penedo to put down any other project that we had had up to now. Start from scratch, trying to connect with a true feeling, without rationalizing or theorizing. Simply working with stripped emotion led me to my own origins as the granddaughter of immigrants.

This is how Leon and Ana appeared in my memory, young people under 30 who ventured in search of a new possible destination for themselves and their offspring. I started from the memoirs written by Fanny, Israel and Noel, their children, to reconnect with history. I also carried out a series of investigations that the web and the google map provided me to locate the city of Bender and the fields of the old Bessarabia, that they impacted me so much and that I traveled imaginatively moving there.

 Finally, four objects became relevant, which chance brought to my hands.

Two lighters that belonged to my grandfather Leon and two Shabbat glasses that they say were brought by Ana. Those objects were very inspiring. They were duplicated in photos, tracing drawings, inks and watercolors and took the place of "themselves". The lighter; the flame, the strength and the courage always represent Leon and the cup, the cavity and the feminine to Ana.

Conceptually ordered all the information, supporting it on two axes; TRAVERSEAS of places, of continents, the continuous wandering through Europe and different territories of Argentina and the ACCUMULATIONS of suitcases, burlap bags, cereals, clean or washed clothes, pots ...

Finally, I included an epistolary between León and Ana with the letters that might have been written.

All that research was transformed into a project, prototype or test in the form of an artist's book that was transformed into a video / artist's test, which will surely lead to other versions of this fertile and moving starting point.

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